(1860 - 1937) was a Brazilian painter. Although much of his work was made up of historical and nude paintings, he expressed himself best in his landscapes, which combined European influences with those of his native Brazil. In 1883, Parreiras met German painter George Grimm, who taught landscape, flora and wildlife painting, while studying at Brazil's Fine Arts Imperial Academy. Grimm influenced Parreiras to move away from academic traditions of painting in favor of the direct observation of nature, free brushstrokes and luminosity. Parreiras traveled throughout Europe for a number of years, visiting many countries including Germany, Italy, and France, exhibiting his first female nude at the Salon in Paris in 1907. He continued to visit Europe after permanently returning to Brazil in 1914, and in 1929 received a gold medal in the Exposition International in Seville. Parreiras also founded the Plein Air School in Niterei, Brazil, and a museum holding many of his works, the Museum Antônio Parreiras, is also in Niterei.   Related Paintings of Antonio Parreiras :. | Lusco fusco | Bust of a man | Chacara da Consolacao | My first oil study | Vallee de la Dala |
Related Artists:
AACHEN, Hans von
German Mannerist Painter, 1552-1615 (b Cologne, 1552; d Prague, 4 March 1615). German painter and draughtsman, active also in Italy and Bohemia. One of the foremost painters of the circle gathered at the Prague court of Emperor Rudolf II.
Gaspare Landi
Italian, 1756-1830,was an Italian painter of the Neoclassic period, active in Rome and his native city of Piacenza. He is said to have been a fun-loving younth, but in 1781 he procured a subsidy to study painting in Rome from patron and distant relative, Marquis Giambattista Landi. At age 25, he moved to Rome to work under Domenico Corvi and Pompeo Battoni. He is considered a rival of Vincenzo Camuccini. Two of his pictures were once in the Pinacoteca at Parma, Diomedes and Ulysses bearing off the Palladium (1783) and the Marriage of Abraham and Sarah. Above one of the altars in the church of the Santa Casa at Loreto there is a later work by this Landi showing the Madonna addolorata. A major work is his large canvas representing the fainting of Christ as he struggles along over the road to Calvary weighted down by the burden of the Cross, Lo Spasimo for San Giovanni at Piacenza. It hung opposite Vincenzo Camuccini's Presentation. Landi became a member of the Accademia di San Luca of Rome in 1805, professor of the theory of painting in 1812, and president of the Academy in 1817. He was also made a Chevalier of the Order of the Iron Crown, of the Order of San Giuseppe, and of a Neapolitan order. About 1820 he returned to Piacenza, intending to remain there, but soon tired of the monotonous existence of a provincial town, and in 1824 reestablished himself at Rome. His last work was an Assumption and was placed in the church of San Francesco di Paola, at Naples. He returned to Piacenza in 1829, where he died.
Ernst William Christmas
(1863-1918) was an Australian painter. He was born near Adelaide, South Australia in 1863 and studied art in Adelaide, Sydney and in London. He painted widely in England, exhibiting in the early years of the century at the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists, the Royal Glasgow Institute of Fine Arts and in the provinces. He was elected to the British Royal British Academy in 1909. In 1910-11, he painted mountains and lakes in Argentina and Chile. He lived in San Francisco around 1900 and again around 1915. He was an avid traveller, but spent the last two years of his life in Hawaii, where he painted landscapes including dramatic volcano scenes. Ernest William Christmas died in Honolulu in 1918.